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  Memory Wars  — from Belfast, Northern Ireland — (  Virginia Quarterly Review   , Fall 2018 )

Memory Wars — from Belfast, Northern Ireland — (Virginia Quarterly Review, Fall 2018)

Since the Troubles ended, loyalist and republican paramilitaries once at war with one another have sat in the same room to share their experiences. They’ve met with victims in the name of truth and reconciliation. They’ve given talks to students and led wide-eyed tourists on Troubles-themed tours—something of a cottage industry here—as ambassadors of peace of a kind, so that what happened will not happen again.

But all the talking, Donnelly says, hasn’t always been productive. “Sometimes, people are revisiting old anger, and you think, Do we keep having the same conversation over and over?” 


 
 
I like to follow Jan Morris’s line and think of myself not as a ‘travel writer,’ but rather a writer who travels. It’s a compulsion, like a tic, like a bad habit. Stories of human nature are linked with pathologies of places.
— Suzanne Joinson
 
 
 

Perhaps it's as 27-year-old Cristian Navarro, the youngest of Oasys’ showmen, said, “Me siento mas realizado aqui"—I feel more realized here. He would rather be playing a romantic hero at Oasys than work as a ranch hand or compete in equestrian competitions, even if the sheriffs always win and he's always shot dead.


  Welcome to the Wild Wild West, in Spain  — from Almeria & Burgos, Spain —   A European paean to an American idea, passed from generation to generation, lives on in Spain half a century after the filming of a classic spaghetti western trilogy. ( Roads and Kingdoms )

Welcome to the Wild Wild West, in Spain — from Almeria & Burgos, Spain — A European paean to an American idea, passed from generation to generation, lives on in Spain half a century after the filming of a classic spaghetti western trilogy. (Roads and Kingdoms)

 
  A New Hope  — from Kelantan, Malaysia —   How a Hindu epic inspired a Malaysian art form that survived attacks by Islamists and learned to love Star Wars. ( Roads and Kingdoms )

A New Hope — from Kelantan, Malaysia — How a Hindu epic inspired a Malaysian art form that survived attacks by Islamists and learned to love Star Wars. (Roads and Kingdoms)


There was no hurried pow-wow before they opened the show, no talk of what story would be performed, no ironing out of logistics. Instead, we lounged on the verandah of Abang Man's house eating keropok while discussing the virtues and foibles of the characters in the Ramayanic universe. The troupe members knew their repertoire so well they were ready to perform at a moment’s notice. The genius of a master puppeteer is his ability to improvise, to pick a story based on the audience and the mood of the troupe. No two performances—even of the same story—are ever the same.

 
 
 
Literary travel writing still resides in the overlap of reportage and memoir, and some of the most memorable travel writing isn’t about the act of physical motion so much as the task of making sense of a single place, or reflecting on the complexity of human experience amid a world in flux.
— Rolf Potts
 
 
 
  Beyond the Sea  — from Aceh, Indonesia & Kuala Lumpur, Malaysia — The 2015 Southeast Asian boat crisis made Myanmar’s Rohingya more visible to the world, but the problems they face have persisted for decades. Now that the annual sailing season is under way, we dig into the roots of the crisis and find out what life looks like for those who made it to shore. ( Esquire Malaysia )

Beyond the Sea — from Aceh, Indonesia & Kuala Lumpur, Malaysia — The 2015 Southeast Asian boat crisis made Myanmar’s Rohingya more visible to the world, but the problems they face have persisted for decades. Now that the annual sailing season is under way, we dig into the roots of the crisis and find out what life looks like for those who made it to shore. (Esquire Malaysia)

The last wave of boats was pushing southwards before the coming of the monsoon. Thousands of stateless Rohingya Muslims, fleeing from ethnic and religious persecution in Myanmar’s Buddhist-majority Rakhine State or untenable living conditions across the border in Bangladesh's refugee camps, were making their way across the Andaman Sea on rickety wooden boats in hope of safe refuge in Malaysia. Among them this sailing season was Muhammadul Hasson, 17 years old and still just a boy despite the life experiences that have already conspired to make him less so.


 
 
  Paradise Lost  — from the Atacama Desert, Chile — Uncovering, for myself, the dark past of a forgotten coastal village and the legacies it’s left behind.

Paradise Lost — from the Atacama Desert, Chile — Uncovering, for myself, the dark past of a forgotten coastal village and the legacies it’s left behind.

 
 

On Arturo Prat, the main street, a weathered banner hangs from a gutted old house. “Pisagua debe ser puerto”, it reads. Pisagua should be a port. But there is just one dock, and you can count the number of boats bobbing in the bay. I wondered if the dream still lived.